It’s an essential architectural element, one we tend to immediately take note of when we look at buildings new to us – the roof. The roofs that shelter the buildings we see in our cities today are diverse in their typology. Flat roofs are a common sight in the city centers of urban metropolises, hip roofs are a popular choice for dwellings around the world, and the gable roof is arguably the most common of all, a roof type popular in stylized depictions of what a standard house looks like.
The visual aesthetic of the past few decades could be defined as designing with the principles of ‘nothingness’. Whether it’s through art, lifestyle, fashion, industrial, or interior design, there has been an alleged need to keep things at a bare minimum, promoting the globally-loved-yet-highly-criticized trend of minimalism. Minimalism is this notion of reducing something to its necessary elements, but who is deciding what is necessary, and who is deciding what is too much? With those questions in mind, combined with radical changes in consumerism and the way people live seen during recent years, current trends have shown that minimalism might be here to stay, but with a twist.
Machine learning and generative design are profoundly shaping modern life. A central critique to the value and advancement of artificial intelligence, especially in the context of architecture, is the ability for a machine to design, as well as the resulting fear that professional services may be limited. As cities continue to develop, new tools emerge to help envision and create the built environment. How can architects embrace generative design to reimagine models of sustainability, inclusive practice, and new aesthetics?
Public spaces play a significant role in organizing the life of every community but defining what differentiates them from other spaces within the city is not an easy task. Once these spaces start to settle into the collective memory of the local communities, they become key elements that concentrate the mental image of a city. While this process usually happens with urban spaces, monuments and isolated architectural elements can also become markers for the urban life of an area. So, what happens when dramatic events like fires, war, or even the pandemic alter that image?
The concept of aesthetics goes back to the Greek civilization and refers to perception through the senses. Despite being a philosophical concept, in architecture, aesthetics is used to translate architectural ideologies and concepts from the set of constructive elements, forms and materials, being intrinsically linked to the physical shape of a building and, therefore, bound to a social, economic and political context. In addition to a discussion of tastes, architectural aesthetics is a source of historical reading and analysis.
After a prolonged period known as the Middle-Ages, a growing desire to both study and mimic nature itself began to emerge, with an inclination to discover and explore the world. Between 1400-1600 A.D. Europe was to witness a significant revival of the fine arts, painting, sculpture, and Architecture. The ‘Renaissance’, meaning ‘rebirth’ in French typically refers to this period of European history, although most closely associated with Italy, countries including England and France went through many of the same cultural changes at varying timescales.
"The details are not the details. They make the design." – Charles Eames. Creating attractive spaces that anticipate the needs of users relies on several factors: scale, circulation, functionality, and comfort. However, the past few decades have proved that the visual appeal of a project is also greatly important, and can make or break the interior space. In this interior focus, we will explore the aesthetic side of interior design, looking at popular styles across the world and how architects and designers use elements such as color, furniture, accessories, and finishes to define their spatial identity.
The hands hold the weight of the entire body, feeling the rough texture of unplastered mortar on its thin membrane. Even with the whole body stretched out against the wall, it still was not possible to see what was behind it. Sweat, in a mixture of adrenaline and heat, ran down his temples, indicating the movement for a final effort, a last impulse before the imminent fall that, for a few seconds, allowed him to overcome the last row. The field of vision was then opened to a fragmented, disconnected and oddly free world. An urban power that allowed itself to be strangled by the breath of tropical vegetation while being consumed by abandonment amidst an active and dynamic city.
As transitory as trends may be, they always have a way of coming back. We see it all the time in fashion, with clothing pieces we thought were long gone coming back in style and reconquering the market. Interior design is no exception. Although this century has set the ideal on subtle sophistication and simplicity – with white surfaces, clean lines and slick gloss finishes –, bold retro enhancements are reviving in residential and commercial interiors. Whether in the form of vibrant colored walls, floors with intricate geometric patterns or vintage-looking furniture pieces, there seems to be a renewed appreciation for design elements inspired by trends from the second half of the 1900s, particularly from the 50s to the 80s.
More than ever; today a trip to a hair or beauty salon has become a much-needed escape time. It promises an ultimately uplifting and relaxing experience with an aesthetically pleasing result. However, this affair, like many others, depends on a catered physical setting; a space that’s efficient design can make or break one’s leisurely time. Many spatial considerations have to be taken while setting up a successful and functional beauty shop, and there are no better examples to consider than the quaint Japanese beauty salons.
Humans try very hard to make the inexplicable understood. Our spirituality becomes religion. Fairness becomes law. And what delights us becomes aesthetics, and aesthetics are dumbed down to “style” in fine arts and architecture. The description, then definition, of aesthetics enables us to judge, and hopefully, control what thrills us: "Styles may change, details may come and go, but the broad demands of aesthetic judgement are permanent". -- Roger Scruton
Just like hospitals and medical offices, dental clinics are places that tend to bring anxiety and anguish to patients, reactions that can be intensified in an unfriendly and unwelcoming environment. White and neutral environments can bring the notion of asepsis and hygiene, essential requirements for hospital architecture. However, the lack of welcoming elements, such as the use of warmer colors and materials, may also be responsible for causing a certain distance between professionals and patients, in addition to reinforcing the stereotypes attributed to dental clinics.
CopyCat is the act of emulating something that's already been created and using it in a different context. Copycats can exist in music, arts and design; but they are not exactly a design inspiration or a style reference, but rather a literal copy with almost no modification of the original work.
Le Corbusier once stated that “Light creates ambiance and feel of a place, as well as the expression of a structure.” Despite other external technicalities and design choices made within public spaces, such as the way the space is constructed and the use of color and materiality, these elements would essentially be rendered useless without the proper use of lighting.
Stairs in architecture are oftentimes a design focal point- the heavyhandedness in creating something that moves us from one level to the next, up and down repeatedly, something so simple and familiar with a twist is what makes the experience of traversing a stair so unique. Our obsession with stairs and the level of illusion that they create in architecture perhaps stems from the way that they’re able to twist the optics and perceptions of space. We understand that they transport us in one direction or another, but can stairs ever be circular? Is it possible to go up and down for eternity?
The dawn of nuclear power, dramatic advances in rocketry, and the desire to be the first to put men into space and on the moon, kick-started an era known as the ‘Space Age’. Upon the closure of WW2, both the Soviets and the Allies found themselves in a state of antagonism, as they both began to struggle to make advancements in space exploration before the other, a race for space. The era would give way to rapid advancements in technology and huge accomplishments including the moon landing in 1969. The Space Age aesthetic completely changed the way designers visualized the new world and left a dramatic impression on architecture and interiors. A new vision of futurism and prosperity.
In the world of design and urban planning, aesthetics and functionality seem to take the spotlight, especially in how large-scale housing projects are developed. While this can be a good thing that continuously pushes the modern boundary of what we consider to be a dwelling, in some aspects, it has shined a negative light on how we perceive and stigmatize “bad design” in public and affordable housing, the socioeconomic factors that have created the need for it, and the types of residents who benefit most from these types of housing policies.
