Take a peek into Japanese architect and theorist Arata Isozaki’s studio in the first of PLANE—SITE’s new video series, Time-Space-Existence. In this inaugural film, Isozaki discusses the Japanese concept of the space and time that exists in-between things, called "ma." Especially inspiring is Isozaki’s refusal to be stuck in one architectural style, as he describes how each of his designs is a specific solution born out of the project’s context.
Across the world, developed cities are rebelling against heavy industry. While some reasons vary depending on local circumstances, a common global drive towards clean energy, and the shifting of developed economies towards financial services, automation, and the gig economy, is leaving a common trace within urban centers. From Beijing to Detroit, vast wastelands of steel and concrete will stand as empty relics to the age of steel and coal.
https://www.archdaily.com/902986/chinas-mega-industrial-regeneration-project-has-lessons-for-the-worldNiall Patrick Walsh
The concept and title Walls of Air was conceived as a response to the theme of Freespace proposed by curators Yvonne Farrell and Shelley McNamara in order to provoke questions about: 1. the different sorts of walls that construct, on multiple scales, the Brazilian territory; 2. the borders of architecture itself in relation to other disciplines.
Vatican City participated in the Venice Architecture Biennale for the first time this year, inviting the public to explore a sequence of unique chapels designed by renowned architects including Norman Foster and Eduardo Souto de Moura. Located in the woods that cover the island of San Giorgio Maggiore, the chapels offer interpretations of Gunnar Asplund’s 1920 chapel at Woodland Cemetery in Stockholm, a seminal example of modernist memorial architecture set in a similarly natural wooded context.
As part of our 2018 Venice Architecture Biennale coverage, we present the Unfolding Pavilion. Below, curators Daniel Tudor Munteanu, Davide Tommaso Ferrando, Sara Favargiotti describe the exhibition in their own words.
The ‘Unfolding Pavilion’ is an exhibition and editorial project that pops up at major architecture events in previously inaccessible but architecturally significant buildings.
https://www.archdaily.com/896700/unfolding-pavilion-little-italy-at-the-2018-venice-biennalePedro Vada
Alison Brooks Architects have been invited by the 16th International Architecture Exhibition curators Yvonne Farrell and Shelley McNamara of Grafton Architects to respond to this year’s theme of ‘Freespace’ by addressing the subject of housing and urban dwelling.The Biennale theme ‘Freespace’ celebrates architecture’s capacity to find additional and unexpected generosity in each project – the spaces, textures and moments of human experience in architecture that can be freely enjoyed.
Solutions from the past can often provide practical answers for the problems of the future; as the London-based design and research firm, Space Popular demonstrate with their "Timber Hearth" concept. It is a building system that uses prefabrication to help DIY home-builders construct their own dwellings without needing to rely on professional or specialized labor. Presented as part of the ongoing 2018 Venice Biennale exhibition “Plots Prints Projections,” the concept takes inspiration from the ancient "hearth" tradition to explain how a system designed around a factory-built core can create new opportunities for the future of home construction.
As part of our 2018 Venice Architecture Biennale coverage, we present the completed Romania Pavilion. Below, the curatorial team describes the exhibition in their own words.
https://www.archdaily.com/895627/mnemonics-the-romania-pavilion-at-the-2018-venice-biennaleAD Editorial Team
As part of our 2018 Venice Architecture Biennale coverage, we present the completed Indonesia Pavilion. Below, the curatorial team describes the exhibition in their own words.
https://www.archdaily.com/895626/sunyata-the-poetics-of-emptiness-the-indonesian-pavilion-at-the-2018-venice-biennaleAD Editorial Team
The Venice Biennale, one of the most talked about events on the architectural calendar, has opened its doors to architects, designers, and visitors from all around the globe to witness the pavilions and installations that tackle this year’s theme: "Freespace." The curators, Irish architects Yvonne Farrell and Shelley McNamara of Grafton Architects, described the theme as “a focus on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers, providing the opportunity to emphasize nature’s free gifts of light—sunlight and moonlight, air, gravity, materials—natural and man-made resources.” As the exhibition launched at the end of May, the architecture world rushed to Venice to be immersed in what the Biennale has to offer. But while the 2018 Biennale undoubtedly had its admirers, not everyone was impressed.